VIEWING DISTANCE - Signed Book
Published by Daylight Books, 2021
Hardcover, 9 x 10 in / 104 pages / 50 Color
Essay by Lily Brewer
ISBN 9781954119031
Viewing Distance compiles and transforms declassified material from US government archives to examine photography as a tool of the military-industrial complex for reconnaissance, surveillance, and documentation of advanced technologies. While many of the source images for this body of work date back to the middle 20th century, they have only recently been released and much information remains secret. These pictures represent the decades-long time delay from when knowledge comes into being and when it becomes publicly accessible. The Cold War period that much of the material originates from is a significant turning point in photography’s technological development and use for intelligence gathering. The book combines photographs pertaining to the clandestine innovations and operations of that era with contemporary documents and devices, connecting past and present. Processes including analog printing, digital collage, scanner manipulation, and data bending are used to animate the archival material. Through this disruption and layering, historical fragments are presented in a state of flux, open to alternate associations and implications. What we are allowed to know and see is often incomplete and indeterminate, encouraging speculation and critical vision.
Evan Hume is an artist based in South Bend, Indiana where he is the Visiting Lecturer of Photography at the University of Notre Dame. He earned his BFA from Virginia Commonwealth University and MFA from George Washington University. Raised in the Washington, DC area, Hume's approach to photography is informed by the experience of living in the nation’s political center for much of his life and focuses on the medium’s use as an instrument of the military-industrial complex and intelligence apparatus. He has exhibited widely at venues including Fotografiska (New York, NY), Filter Photo (Chicago, IL), and Furthermore (Washington, DC). Hume’s work has been featured by publications such as Aperture and Der Greif, and is included in the Museum of Contemporary Photography’s Midwest Photographers Project.
Lily Brewer holds a Ph.D. in History of Art and Architecture from the University of Pittsburgh specializing in modern and contemporary portrait and landscape photography in the United States southwest. Studying the concurrent development between photographic and weapon technologies, Brewer traces the contours of visual culture and history as it relates to war operations, military preparedness, conflict, and weapons testing during and after the Second World War and its visual articulations today. She is editor-in-chief and founder of sedimenta.org.
DAYLIGHT is a nonprofit organization dedicated to publishing art and photography books. By exploring the documentary mode along with the more conceptual concerns of fine art, Daylight’s uniquely collectible publications work to revitalize the relationship between art, photography, and the world at large.
